This was my first grade photo from 1975. For our very first "show and tell", I played The Fleetwoods' 45 RPM record, "Come Softly To Me", that I found in my parents' collection. The school was W.R. Odell Elementary, our colors were green and white, and our mascot was the Dragons - the greatest school mascot ever. This rural school was made up of blue-collar white and black folks whose families were primarily cotton mill workers and farmers. My teacher, Ms. Fries, was a first-year teacher and only 22 years old. She treated all her students as if they were her own children even though she did not yet have any. When I dropped the needle down on the industrial looking record player, she smiled and asked me to play the record again for our principal, Mr. Larry Riggs. It was at this moment that I saw the profound effect that music could have on people.
My father started my sister and I on a healthy diet of classic country music. He would often say that Hank Williams Sr. was a poet, especially after we would hear "I'm So Lonesome I Could Cry." I fondly remember listening to 8-track tapes of Hank Williams Sr., Johnny Cash, Willie Nelson, Waylon Jennings, Red Sovine, Slim Whitman, and George Jones while my father drove us around town in his 1978 F150 white Super Cab pickup truck.
Concord is located in the Piedmont region of North Carolina. The Piedmont is in the middle section of the state, between the mountains and the ocean. I grew up in this area and fell in love with the Piedmont Blues. Rev. Gary Davis, Josh White, Sonny Terry and Brownie McGhee, Blind Boy Fuller, Pink Anderson, John Jackson, and many other great Piedmont Blues artists are from my neck of the woods.
While growing up in Concord, my best friend was the great-grandson of J.E. Mainer. J.E. lived off of Poplar Tent Road and was the leader of J.E. Mainer and his Crazy Mountaineers, an old-time string band. This type of music predated bluegrass and, in fact, J. E. and his banjo pickin' brother, Wade Mainer, were huge influences on Doc Watson, Bill Monroe, and the Stanley Brothers.
I first heard the Violent Femmes on WDAV's "Flipsides" in 1983. The Femmes were mixing acoustic music with a punk edge. Ever since then, I have looked for bands that have that same acoustic/punk sound. While this is a very rare thing to find, when it DOES occur, it can be a very powerful thing.
"Flipsides" was an alternative rock radio show on WDAV 89.9 FM (Davidson College, Davidson, NC) that would air from 11:00pm to 1:00am. I would listen to it each night while growing up - it was a big influence on me.
The Crockett family was a great promoter influence located in the Charlotte, NC area. They promoted pro-wrestling shows among the mill-working, blue-collar folks in the southeast in the 60s and 70s before going nationwide in the 80s. Nature Boy Ric Flair was, and still is, the greatest world champion to ever step into the squared circle. He was surrounded by a great cast of characters including Ole, Gene and Arn Anderson, Dusty Rhodes, Thunderbolt Patterson, Rufus R. 'Freight Train' Jones, #1 Paul Jones, Blackjack Mulligan, Ricky 'The Dragon' Steamboat, Harley Race, and others. These wrestling shows created a lot of excitement and pandemonium around The Carolinas and as a kid, it was larger than life.
The Charlotte Motor Speedway was eight miles from the house that I grew up in in Concord, NC. In the 70s, NASCAR was still regarded as a regional sport and most of the fans were working class. At that time, the president of the Charlotte Motor Speedway was Humpy Wheeler. Humpy may go down as the greatest promoter to ever live. He was a genius in how he worked his events - his strategies had a big effect on me from a young age. Growing up in the Piedmont, everyone had a driver. Mine was David Pearson in the Wood Brothers #21 Purolator Mercury. Along with Richard Petty, Darrell Waltrip, Bobby Allison, Dale Earnhardt, Buddy Baker, and Cale Yarborough, it was a great time to be a fan. Long before stock car racing was a mainstream sport, it was very much like independent record labels - rebellious, in your face, unconcerned about the status quo. Very rock-n-roll.
Tommy Faile was a member of Arthur Smith and the Crackerjacks and had a velvet smooth, baritone country voice. When I was growing up, The Arthur Smith show on WBTV was a mainstay in all the blue-collar households in the Piedmont. Tommy Faile was the working man's poet. He wrote "Phantom 309," which was a hit for Red Sovine and was covered by Tom Waits. Faile also scored a regional hit with "The Brown Mountain Light." Randy Travis has personally told me how big of an influence Tommy Faile was on him. Faile was a local legend and world-class talent.
My grandparents were charter members of the Fisher Street Church of God in Kannapolis, NC. As children, my sister and I would go to worship services with them a few times a year. The church was full of cotton mill workers and children from the local orphanage. Although there were lots of poor people in attendance, in some ways, they were very wealthy because the room was always overflowing with love. Church of God gospel music features a piano style where the left hand bounces back and forth, very much like boogiewoogie or ragtime-style piano. As soon as the music would start, the church would immediately fill up with the sounds of clapping, shouting, and praise. This music really stuck with me and I saw (and heard!) that everyone was singing from the heart. I would rather hear someone with less talent sing a song with heartfelt conviction than a great vocalist who is just going through the motions.
While living in Winston-Salem, NC in the early 90s, I became a weekly shopper at "Rave On," a record store that was located on Peters Creek Parkway. The shop owner and I got to know each other well and one day, he asked me if I had ever heard of Sammy Walker. He told me that Sammy was discovered by Phil Ochs and that I should check him out. Unfortunately, I couldn't find any of Sammy's music anywhere! One day, while in the shop, the owner gave me a copy of Sammy's self-titled second album. I later discovered that Sammy was living in North Carolina, so I reached out to him and a friendship began - Sammy even played a concert for my 30th birthday party!
In July 2000, I invited Martin Stephenson over from the United Kingdom and introduced him to many North Carolina musicians. We recorded a field recording album titled "The Haint of the Budded Rose - A Musical Ramble Through North Carolina." It was a tribute to old-time music, especially that of Charlie Poole. A special moment during our journey was Martin playing beside the tombstone of Charlie Poole.
To each of our acts,
In order to best serve and meet
the needs of the client
We focus on making a strong foundation for each artist,
building upon that, and taking the artist to the next level.
We put the music first, do the best we can, and have fun doing it.
This is the story of Ramseur Records and its founder, Dolphus Ramseur. Dolphus was born and raised in Concord, North Carolina - a town so rich with history, that it provided the inspiration for this company. The stories told on this website are highlights from Dolphus' life and illustrate how he got to where he is now. Today, Ramseur Records operates as both an independent record label and a management company, with a full-time staff based all around the United States.
Dolphus Ramseur was born and reared in Concord, NC. As a child, his father put him on a healthy music diet of classic country, folk, and early rock-n-roll. His early years were spent with one main goal in life: to not work in the local cotton mill. His love of tennis and music mixed with an education in the school of hard knocks helped him achieve this goal. As a true product of his environment, Ramseur enjoyed the piedmont section of North Carolina's rich blue collar palette of stock car racing, pro wrestling, religion, and music. He is now trying to make the world a mix-tape with his record label and music management company.
James Abbott was born and raised in the Old North State and was exposed to a wide variety of music at an early age. Whether it was Beatles albums from his parents' record collection, performances by Doc Watson, or the sights and sounds of Moravian Brass Bands in Old Salem, James learned that Duke Ellington had it right when he said, "If it sounds good, it is good." James joined the Ramseur team as a part-time member in 2010 while completing his Bachelor of Arts from Catawba College. Upon graduation in 2012, James became a full-time member of Ramseur Records.
Abby Frackman was so eager to get out into the world that she was almost born in the car on the way to the hospital. She was set on studying pre-med in college, but upon entering the University of Michigan, realized that her real passion was in the music business. Prior to joining the Ramseur team as West Coast rep in 2012, Abby worked in the marketing, publicity, and creative licensing departments at Columbia Records for several years. In her spare time, Abby attends live shows, plays trivia, and frequents Dunkin' Donuts.
Adrian’s first memories of music were riding shotgun in his father’s 1979 Ford Bronco listening to a mix of 8-track tapes ranging from Otis Redding to the Oak Ridge Boys. Since then his life-long love of music has placed him in front of churches singing gospel hymns, and around campfires singing everything from Johnny Cash to Pink Floyd. After graduating Catawba College and the University of Southern Mississippi, Adrian has spent the last 17 years honing his promotion and marketing skills in the world of NASCAR before joining Ramseur Records in the fall of 2018.
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